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No credit required, but linking back is greatly appreciated and allows users like wpsadm to receive the feature. You can use the article with the code: Death Stranding, the latest video game from the creator Hideo Kojima, was presented to the world in the summer of 2016 on stage at the Electronic Entertainment Expo (E3), the annual exhibition of the game industry. What happened is what the industry calls a press conference, but this particular scene is more like the scene in “King Kong” when the beast is shown to the public at the Broadway theater. A live band played a loud John Williams-esque score as the curtain rose to reveal a giant stage, at the top of which stood Kojima, a mild-mannered Japanese man with flowing black hair and glasses. The floor below him began to glow, the crystals of light coming to the left and right to form a kind of light bridge, which he connected by shaking hands with Sony management. Then he took center stage, cheering, and deafening applause.
Kojima went on to play what might be the strangest three and a half minute video to grace the E3 stage. Remember this is where cybernetic dinosaurs and dashing samurai are par for the course. The video opens with William Blake’s poem, the first lines of “Auguries of Innocence”, then cuts to a close-up of the most realistic computer sand. The camera floated on the sand, revealing a pile of dead crabs. Footprints appeared in the sand, then filled, inexplicably, with black leather. Hand positions led to a naked man lying on the beach, his left wrist locked in a gloved hand. A black rope tied the man to what appeared to be a small baby lying next to him on the sand. The man got up on his hands and knees and walked over to the baby and scooped him up and wrapped his arms around him, bringing him to his chest, his face appeared and it was … Norman Reedus from The Walking Dead? And void claims?
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There is no information about the story, the game or the type of game. It’s all Norman Reedus’ personality and style and shiny back. It’s more like something you’d see at MoMA than E3. But the crowd moved.
The answer may not have been much different if a blank screen had been displayed. Kojima is one of the few video game developers who can generate huge expectations for a game based on his name. In his 30 years in the business, he began to use a real influence on players in the way that Steve Jobs did on electronics, with an almost magical ability to convince people to buy ideas that seem too stupid to come from someone else. For many years he expressed his ideas as a developer with the Japanese game giant Konami, creating and nurturing his Metal Gear Solid series. The games in that series vehemently rejected the humor often associated with the track, preferring to pursue beautiful waters. However, they became one of the most successful franchises of all time. Now, as everyone knows, Kojima was on his own after his dramatic split with Konami. He started an independent studio and signed an agreement with Sony Interactive Entertainment which gives him a lot of freedom to create this new game.
Because of the strangeness of his previous creations, the audience just wondered what he could do with so much freedom. The epic trailer was well-crafted to pique curiosity while leaving it unfulfilled.
Over the next three years, Kojima continued to go crazy teasing the game. Following the tour of Death Stranding was a game in itself, as fans were encouraged to create mental images of the game from Kojima’s special notes. He talked a lot during those years, and everything he said seemed like a confused picture. “It’s like telling you who the killer is in a secret story,” he told the website Digital Spy, when pressed for specifics.
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Sometimes it seems to describe a classic game, with cars and battles and a world to explore. To others, Death Stranding seems like nothing that happened before. Kojima said that he will start a new genre, the strand genre: “You will try to connect the divisions in society,” he wrote on Twitter, “and create new connections or ‘Strands’ with other players around the world.” Through your experience in the game, I hope you will understand the true value of making connections with others.”
In another statement to Digital Spy, Kojima said he was inspired by “The Rope,” a short story by Japanese writer Kobo Abe. In the story, Abe wrote that the first tools people made were sticks and ropes—the first tool was chaos, meaning (as Kojima said) to “keep bad things away,” the second tool was communication, meaning “to keep good things close to you.” In Death Stranding, “you’ll be able to use the same thing as buttons,” Kojima said. “But I also want people to use the equivalent of ropes.”
The sports press reported all these details with a lack of understanding. However, in some corners of the internet, you can feel the uncertainty of doubt that has begun to build as the release of the game approaches. There were whispers that it could be a desperate mess, that Kojima had completely gone off the deep end. The phrase “I still don’t know what this game is” has become something of a meme in the comments section of many YouTube videos and blog posts related to Death Stranding; what appeared to be an expression of gratitude had a slightly worried tone. Kojima certainly didn’t try to assuage their concerns. “Until now, I don’t understand the game,” he told the Financial Times in September, over a month before the start. “His world view, his game, it’s all new.”
As for me, I spent three years in the game that its own creator said he did not understand. I studied the news and speculated with my fellow players. I became one of Kojima’s 2.8 million followers on Twitter, where he posted details from the Death Stranding set and an endless stream of stories about his life—what food he ate, what movies he watched, what books he read. The more information I had, the more I focused on what I didn’t know. Last fall, as the release date approached, I couldn’t wait to see what this game would be.
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How do you explain Hideo Kojima to someone who has never picked up a PlayStation controller? His fans often compare him to filmmakers: Quentin Tarantino, David Lynch, George Lucas, James Cameron. Each comparison has its merits. Like Lucas, Kojima is inseparable from the beloved franchise, in Metal Gear Solid, which achieved history among fans; like Tarantino, he forcefully demonstrates his virtue through modern tactics of degradation and discrimination. The stories of Metal Gear
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